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Post by wolfman on Jan 30, 2018 5:39:34 GMT -5
I want to sign up as first bait, if you ever built Another I mean and the result were spectacular. Will Chris ever finish a project he posts about? I think he will do this with great results. Carry on, Chris!
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Post by thelasttubewarrior on Jan 30, 2018 9:51:33 GMT -5
It's going to be entirely up to you to source a set of G90 magnetics. I don't HAVE two sets to experiment with. Oh, I MIGHT...but I'm not yet willing to rob Chassis #5.
I suggest checking with Curt Palme or Craig Rounds.
Better yet, hold off until I have my results to show. It won't be long.
With the exception of the resistor required to change R175 on the HDM, here's the complete parts list of what you will need to adapt G90 magnetics into a Marquee:
First, cut all the cables off of a SPARE set of Marquee magnetics. Cut them off close to the yoke bodies. You will be using these pigtails, trimming them to the desired length, and adding connectors to them.
Don't cut the cables off your only set of magnetics. You might regret it.
G90 yoke adaptation to Marquee
JST connectors, SM series SMP-03V-BC 3 pin for vertical deflection SMP-04V-BC 4 pin for convergence SMP-05V-BC 5 pin for astig SMP-08V-BC 8 pin for focus
Pin (female socket) part number SHF-001T-0.8BS for all above JST connectors
AMP D3100 series connector to mate to deflection yoke horizontal coils 1-178288-7 receptacle, 8 position 175196 receptacle contact pin, 4 required per connector
Total parts quantities required to adapt three G90 deflection and focus yokes to a Marquee: (3) JST SMP-03V-BC 3 pin (3) JST SMP-04V-BC 4 pin (3) JST SMP-05V-BC 5 pin (3) JST MP-08V-BC 8 pin (60) JST SHF-001T-0.8BS contacts for all above JST connectors
AMP D3100 series connector to mate to deflection yoke horizontal coils (3) 1-178288-7 receptacle, 8 position (12) 175196 contact
Appropriate connector tools not included. Generally you can use general purpose wire crimp tools for the job, but you may want to be sure you have ordered extra connectors so that you can experiment and find out what works best.
I just order connector contacts in quantities of 250. They're cheap enough at that price break.
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Post by stridsvognen on Jan 30, 2018 10:43:22 GMT -5
Hmm, you must have missed the part where I said that my usual signal chain is direct from BD player to Moome card. So, whatever that pixel clock is. Or, I may have the HDQ in the loop. The only thing that really brings to the table for me is its ability to output 72 Hz and provide 11 point greyscale calibration, which I haven't done. My light meter isn't the type that works with the Lumagen calibration system and it would be quite a pain to use it to do the 11 point calibration manually. I'm not even sure it CAN be done. As for light output, I keep it on the low side because bright enough is bright enough. Say 7 ft-l at most. It's bright enough at that point that if the screen goes to a full white scene, it can make me squint. Tell me why I'd ever need it brighter than that. Screen is 1.0 gain flat white painted. Cheap but effective. Yes, I've seen more expensive screens in use. No, I don't see spending the money. The difference wasn't worth the price tag to me. Ok, then i need the resolution and framerate, so i can calculate your pixel clock, BD players can do from 480 to 1080, 24-60hz What model moome card are you using.? If you tell me the composition of your videochain and Marquee ill try reproduce it here, and see what i can get out of it in a standard trim. Also need your screen size, tube type and lens type. So when your ready with light output measurements and pictures of focus controle ill be ready to reproduce it here with standard yokes, running same pixel clock.
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Post by thelasttubewarrior on Jan 30, 2018 14:19:54 GMT -5
Kurt, this is not a competition. I don't need your validation. This is for ME. If you want to do the experiments yourself, go right ahead, but I'm not going to be your tech support or tell you how to duplicate my setup.
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Post by stridsvognen on Jan 31, 2018 10:42:00 GMT -5
Its not a competition, but im curious to find out more about how the marquee works, and what mods is worth the time and money, and to do so ill need to do a bit of homework, so it would be nice if you would hold a open mind as i will, and we can get past all the selfdone is welldone, and see if we can up the game a bit, make just a bit more professional, and eliminate all the personal atatchment and felings involved in these things.
Im amased how personal these things always gets, its a dead piece of junk we are beating with a stick as good as we can, and nothing more, not worthy of tears or frustrations.. I do it as a hobby and a personal challenge, and have done hundreds of mistakes or experiments that did not work as i would have liked, if we cant challenge each other in this hobby, there is no basis for these forums, then we just as well turn towards people that have no interest or knowhow about these matters and let them congratulate you every time the projector turns on.
I would so much like if we could all challenge each other on a higher level, and move the bar up, and to do that we first need to establishe a common reference or good understand of each others reference, and you want to do a mod, but want to keep your reference level a secret, wich basically makes it worthless to the rest of us.
So i beg you to open up a bit, and accept there is multiple angles on each aspect of these old junkpiles, and if we all add a angle its much more likely to lead to something greater.
I dont do mods, but i do experiments and test diferent compositions, and dont mind to share my findings, and i have no personal feelings towards my hardware so wont get upset if you challenge my results, thats how i work in my professional life, and think these hobby related things should get the same kind of treatment.
So everytime i ask you a question you refuse to answer i get the feeling you actually have no clue what your douing. Most is basic questions related to CRT, wich you will need to deal with if your past basic SD setup. So far i guess u have no clue what resolution or moome card you run, and how to eliminate raster ringing without clipping the image or generate convergence and stability issues. And a bit like MP never measured lightoutput or grayscale tracking and both focus and color uniformity across the screen, wich is very much related, and important factors to know before starting to change the existing system, so your able to do a full evaluation, and judge if the mod is a partial improvement, and a degradation in other ways, and if so if its worth the compromise or not, or whatever combination the outcome will be.
My experience is that 90% of the known mods are making the overall performance worse, taking more than they give, but people seems to be happy that there is a difference, and thats all that matters, making it a very subjective evaluation based on various preferences.
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Post by Admin on Jan 31, 2018 11:48:42 GMT -5
Geez Kurt, That is one of the best posts I have ever seen you write. Thumbs up. And I think you hit the nail on the head when you say about mods and how some improvements can also cause some degradation in other areas and this is where many people disagree. But what they disagree on is if the part that gets degraded matters or not. Some people just don't care about the part that becomes degraded and do care about the improvement. Where someone else has a completely different opinion. And there is really no right or wrong in these positions. It is just a difference in opinion and viewing preference. Anyways, nice post.
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Post by thelasttubewarrior on Jan 31, 2018 14:34:19 GMT -5
Kurt, for days in this topic, and years in general, you rejected the idea of using substitute focus yokes. Then, after I went over my thoughts on it so often I got sick of repeating myself, now you suddenly want to jump in?
Pardon me for being a bit skeptical of that.
But, hey, really it's no problem if you know the basics of my setup.
So...first,understand that I have a fully installed movie watching setup and I have a test projector setup, and they are not the same. If the results are good enough on the test projector, I'll install them in the unit in my home theater.
In either case, I'm using a 9500LC Ultra that is more or less in stock condition with the Elcan made HD-10L lenses on it, the screen is 96" wide and is a flat 1.0 gain screen.
In either case, my source is either direct from a Sony BD player to the Moome card, or I can insert a Lumagen VisionPro HDP or a Lumagen HDQ into either signal chain. (These two units have identical capabilities, but different connector options. They even share the same firmware and run the same updated version.)
In both cases, I run 1080p-60 if I run direct from the BD player to the projector. If I install the Lumagen in the signal chain, then the BDP input is 1080p-24 and the lumagen outputs 1080p-72.
Tubes are new condition LUGs, red and green C elements installed.
Kurt, you will recall that I simply asked you a few days ago if you'd sell me some stuff you have no use for. You gave me a great big attitude and said no.
So is it any wonder that I wasn't willing to give you any information?
If you want people to treat you decently, try treating them decently. This actually works, most of the time when it's tried.
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Post by Admin on Jan 31, 2018 15:29:26 GMT -5
Kurt, you will recall that I simply asked you a few days ago if you'd sell me some stuff you have no use for. You gave me a great big attitude and said no. So is it any wonder that I wasn't willing to give you any information? If you want people to treat you decently, try treating them decently. This actually works, most of the time when it's tried. Actually from what I read (unless you two had a conversation offline) Kurt did not want to ship any over but indicated MP had a set of his if you wanted to contact him and see if he would send them to you. And your last line in the above quote works both ways. At this point I think there has been enough conversation on the G90 focus/deflection coil mod until you get them installed and working in your marquee. All we have right now is speculation and arguing speculation is a waste of time. LOL
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Post by stridsvognen on Jan 31, 2018 15:40:13 GMT -5
Kurt, for days in this topic, and years in general, you rejected the idea of using substitute focus yokes. Then, after I went over my thoughts on it so often I got sick of repeating myself, now you suddenly want to jump in? Pardon me for being a bit skeptical of that. But, hey, really it's no problem if you know the basics of my setup. So...first,understand that I have a fully installed movie watching setup and I have a test projector setup, and they are not the same. If the results are good enough on the test projector, I'll install them in the unit in my home theater. In either case, I'm using a 9500LC Ultra that is more or less in stock condition with the Elcan made HD-10L lenses on it, the screen is 96" wide and is a flat 1.0 gain screen. In either case, my source is either direct from a Sony BD player to the Moome card, or I can insert a Lumagen VisionPro HDP or a Lumagen HDQ into either signal chain. (These two units have identical capabilities, but different connector options. They even share the same firmware and run the same updated version.) In both cases, I run 1080p-60 if I run direct from the BD player to the projector. If I install the Lumagen in the signal chain, then the BDP input is 1080p-24 and the lumagen outputs 1080p-72. Tubes are new condition LUGs, red and green C elements installed. Kurt, you will recall that I simply asked you a few days ago if you'd sell me some stuff you have no use for. You gave me a great big attitude and said no. So is it any wonder that I wasn't willing to give you any information? If you want people to treat you decently, try treating them decently. This actually works, most of the time when it's tried. This thread and douing buisness with you is 2 different things all together, and please try not to confuse things.. I have in the past waisted time replying you regarding your requests to find that you did not bother to use your time to reply, happened multiple times, from i made the conclution i would not waste time to do buisness with you.. Thats straight forward honest and not to misunderstand. If you dont like the way that work, i think you should blame yourself. Now i still dont have any idea what moome card, or general setup of your Marque, build year, and various boards used, like vim neckboards beeing the most important, and what trim the vim is in, wich makes huge changes to how the videochain works, and look. 1080P 60hz standard timings is 148Mhz, the HDQ wont pass above 165Mhz, so 1080P 72hz is not a option, you may do 817P 72hz with some tweaking, but its very tricky to get the pixel mapping right. In general the HDQ is not worth the time, its seriously outdated, and a huge bottleneck to ad to the digital videochain, its not just bad, its very bad for HD material. You mentioned calibration with the lumagen 11 point calibration.. And think you might need some help to understand the basic calibration procedures. First there is no auto calibration in the old Lumagen, and the 11 point is a manual calibration, you basically need a probe and a calibrationsoftware on a pc.. Measure each step, and correct in the lumagen untill it hits your target. Now the HDQ will far from alow 8 bit precission, and suffers from terrible chroma loss. So the reduced bit resolution will make your CRT look like a old Digital projector. You might make a calibration that measures better at the points you measure, but it will look much worse. So your best option is direct from player to your moome card, and deal with grayscale as good as it gets and maintain full bitdept, and chroma resolution if the player is capable, most older players are not, specially if they have any kind of enhancement features. Now the marquee have some low level noise issues.. vertical lines and roling noice, with you can clip out running 16-235 out of your player, and set the moome to 16-235, but the tricky part is that the moome 16-235 is actually 0-255, alowing to display BTB and WTW, this means you waist some precious dynamic range in the videochain, and you have a elevated reference level out of the moome card, wich is what alows you to lower brightness or G2 to clip the noise. If you get a good videochain/ noise free it will alow you to run the moome 0-255 setting, wich will clipp black at 16, and white at 235, letting 16% IRE be 0v out, and not sure how its done in the moome, but im pretty sure its done in the analog domain, as there is no bit degradation, wich is normal if converting in the digital domain. This can potentially give you the ultimate out of black performance that no CRT can do. But you need to know your moome card, there is quite a few editions, and they are far from performing identically, or having the same options. So hope you understand that just the digital vidiochain have a huge influence on the final image, just as its hard to find 2 identical Marquee projectors, so its also important that your reference and test is performed on the same projector, with the only variable being the yokes and controleboard in question, as if your comparing 2 different projectors there is no knowing whats up or down. So ill recommend you start to find out how to do basic calibration first, as thats a must have to establish a baseline for evaluation, as just a color shift will influence how you persive sharpness, and light output changes can do more than any mods combined. And with calibration you also run true basic testpatterns checking bitresolution Chroma resolution, 1:1 pixelmapping, and that you preserve the full image, and your clipping points on all 3 colors.
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Post by thelasttubewarrior on Jan 31, 2018 16:26:35 GMT -5
My Moome card is version 1.3. Latest version (that I know of) from Moome for the Marquee.
I'd actually have to go taking things apart and digging around to find all the specific information regarding neck cards, build dates, etc. and I don't even know that it matters. As a matter of routine I replace the large reservoir caps on any 2038 or 2039 neck card with fresh ones if they appear to be original caps, but otherwise the cards that I'm currently using are stock 2038 or 2039 types. I do have some MP modded cards and VIMs but I'm not using them at this time.
I don't care to get involved in any three-way deals between myself, you, and MP. I'm at odds with him anyway. Private story, it won't be elaborated on, thank you for respecting my privacy by not asking about it. I simply state, publicly, that if you wish to sell off a few of those useless-to-you VDC neck cards at some point in time, even if it means me waiting until you decide to take a trip to the USA and bring them with you, then I'm willing in principle to buy them if the price is decent.
I have one set. What I've seen out of them seems to be OK for my needs since I'm not pushing high contrast (they tend to lose tracking at high output levels, or so I've been told) and they seem to do OK within that limit. I'd like to add on another set.
I've said before, I'm probably not quite so picky about certain image quality aspects as some people. To me, sharpness is more important than reference quality color tracking or high light output.
SOME of my connector parts arrived today. But not enough to do the full yoke test YET.
Since I will be able to make up all the required cables, if anyone here wishes to follow this project and replicate it for himself, but does not wish to buy the full parts list and connector tools for himself, I may be persuaded to make up the required adapter cables as a set for you. Please send me a private message if this interests you.
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Post by gjaky on Feb 1, 2018 7:02:22 GMT -5
I have one set. What I've seen out of them seems to be OK for my needs since I'm not pushing high contrast (they tend to lose tracking at high output levels, or so I've been told) and they seem to do OK within that limit. I'd like to add on another set. I've said before, I'm probably not quite so picky about certain image quality aspects as some people. To me, sharpness is more important than reference quality color tracking or high light output. Those boards have serious challanges with bandwidth too, basically half of what the classic neckboards have..
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Post by jbmeyer13 on Feb 1, 2018 9:36:14 GMT -5
Kurt, for days in this topic, and years in general, you rejected the idea of using substitute focus yokes. Then, after I went over my thoughts on it so often I got sick of repeating myself, now you suddenly want to jump in? Pardon me for being a bit skeptical of that. But, hey, really it's no problem if you know the basics of my setup. So...first,understand that I have a fully installed movie watching setup and I have a test projector setup, and they are not the same. If the results are good enough on the test projector, I'll install them in the unit in my home theater. In either case, I'm using a 9500LC Ultra that is more or less in stock condition with the Elcan made HD-10L lenses on it, the screen is 96" wide and is a flat 1.0 gain screen. In either case, my source is either direct from a Sony BD player to the Moome card, or I can insert a Lumagen VisionPro HDP or a Lumagen HDQ into either signal chain. (These two units have identical capabilities, but different connector options. They even share the same firmware and run the same updated version.) In both cases, I run 1080p-60 if I run direct from the BD player to the projector. If I install the Lumagen in the signal chain, then the BDP input is 1080p-24 and the lumagen outputs 1080p-72. Tubes are new condition LUGs, red and green C elements installed. Kurt, you will recall that I simply asked you a few days ago if you'd sell me some stuff you have no use for. You gave me a great big attitude and said no. So is it any wonder that I wasn't willing to give you any information? If you want people to treat you decently, try treating them decently. This actually works, most of the time when it's tried. Now i still dont have any idea what moome card, or general setup of your Marque, build year, and various boards used, like vim neckboards beeing the most important, and what trim the vim is in, wich makes huge changes to how the videochain works, and look. 1080P 60hz standard timings is 148Mhz, the HDQ wont pass above 165Mhz, so 1080P 72hz is not a option, you may do 817P 72hz with some tweaking, but its very tricky to get the pixel mapping right. In general the HDQ is not worth the time, its seriously outdated, and a huge bottleneck to ad to the digital videochain, its not just bad, its very bad for HD material. You mentioned calibration with the lumagen 11 point calibration.. And think you might need some help to understand the basic calibration procedures. First there is no auto calibration in the old Lumagen, and the 11 point is a manual calibration, you basically need a probe and a calibrationsoftware on a pc.. Measure each step, and correct in the lumagen untill it hits your target. Now the HDQ will far from alow 8 bit precission, and suffers from terrible chroma loss. So the reduced bit resolution will make your CRT look like a old Digital projector. You might make a calibration that measures better at the points you measure, but it will look much worse. So your best option is direct from player to your moome card, and deal with grayscale as good as it gets and maintain full bitdept, and chroma resolution if the player is capable, most older players are not, specially if they have any kind of enhancement features. Now the marquee have some low level noise issues.. vertical lines and roling noice, with you can clip out running 16-235 out of your player, and set the moome to 16-235, but the tricky part is that the moome 16-235 is actually 0-255, alowing to display BTB and WTW, this means you waist some precious dynamic range in the videochain, and you have a elevated reference level out of the moome card, wich is what alows you to lower brightness or G2 to clip the noise. If you get a good videochain/ noise free it will alow you to run the moome 0-255 setting, wich will clipp black at 16, and white at 235, letting 16% IRE be 0v out, and not sure how its done in the moome, but im pretty sure its done in the analog domain, as there is no bit degradation, wich is normal if converting in the digital domain. This can potentially give you the ultimate out of black performance that no CRT can do. But you need to know your moome card, there is quite a few editions, and they are far from performing identically, or having the same options. So hope you understand that just the digital vidiochain have a huge influence on the final image, just as its hard to find 2 identical Marquee projectors, so its also important that your reference and test is performed on the same projector, with the only variable being the yokes and controleboard in question, as if your comparing 2 different projectors there is no knowing whats up or down. So ill recommend you start to find out how to do basic calibration first, as thats a must have to establish a baseline for evaluation, as just a color shift will influence how you persive sharpness, and light output changes can do more than any mods combined. And with calibration you also run true basic testpatterns checking bitresolution Chroma resolution, 1:1 pixelmapping, and that you preserve the full image, and your clipping points on all 3 colors. That is a really good post for anyone who wants to understand how the variables in a Marquee video chain effect overall performance. The Moome card alone is can of worms. One of the strong points of the G90 is the uniformity; while it may not perform on the level of an optimally tweaked Marquee it is consistent out of the box; you know what you are going to get. The Marquee on the other hand is ANYTHING BUT consistent and requires a lot of individual evaluation to determine which version of particular components is ideal. Kurt's point about the calibration is especially worth noting. Modification not followed up with a full calibration make it impossible to understand the FULL extent of a potential improvement or degradation to the image.
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Post by thelasttubewarrior on Feb 1, 2018 10:43:33 GMT -5
But, a "full" calibration probably requires more than the basic spot photometer that I have. So, unless someone is willing to lend me a full-featured calibration system, that's unlikely to happen.
I can calibrate to a given luminosity and white point. But it'll be a basic, not advanced, calibration due to equipment limitations.
I do believe that it is not necessary to fully calibrate the entire video chain in order to observe a difference in focus performance (resistance to blooming as well as sharpness) across the full available range of brightness, between the stock and the modified unit.
The difference, should there be any, should be apparent independent of the greyscale calibration, or lack thereof.
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Post by jbmeyer13 on Feb 1, 2018 11:50:34 GMT -5
But, a "full" calibration probably requires more than the basic spot photometer that I have. So, unless someone is willing to lend me a full-featured calibration system, that's unlikely to happen. I can calibrate to a given luminosity and white point. But it'll be a basic, not advanced, calibration due to equipment limitations. I do believe that it is not necessary to fully calibrate the entire video chain in order to observe a difference in focus performance (resistance to blooming as well as sharpness) across the full available range of brightness, between the stock and the modified unit. The difference, should there be any, should be apparent independent of the greyscale calibration, or lack thereof. At a given light output you should be able to observe the differences in focus without doing a complete calibration. However, if the modification effects other image parameters you may not realize that unless you do a complete calibration which is why I say "FULL extent". 7ftl is pretty low light output and if memory serves even on a stock marquee you aren't likely to get much blooming at that level. Although you may choose to run at that contrast setting many will want a bit more light output (at least 10) to improve image dynamics. If you plan to share your findings with the community I'd recommend doing evaluations at 7, 10 and 14 ftl to understand the full scope of the modification.
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Post by stridsvognen on Feb 1, 2018 16:25:09 GMT -5
For focus you will need to now your max focus ability at, and thats the point just before blooming, all CRT projectors will hold a perfect focus at some light output level, if you want to optimize it you will need to know what it was before and after, you can not eyeball it, and in the case you get a colorshift, wich can happen just by changing focus on one tube, you might create a blue push, wich will look sharper/ more clear, without having anything to do with focus performance.
Calibration is key, if you dont have a good understanding of calibration and the ability to do it you have no way of evaluating your work objectively, if you cant aford to buy a 200$ meter and downliad HCFR and play with it a few hundred hours, there is not a chance you will ever be able to even get close to optimum performance out of a standard projector. Its the cheapest upgrade you will ever do, if you ever get to the point where you qualified to do a good calibration.
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